98 search results for “The Owsley Moment”
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S02 E44 – Bonnie Schiffman – George Burns, 1989 – printed 1997
Schiffman has said that she tries to move past the fame and get to the heart of the person when she photographs celebrities.
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S02 E43 – Eva Rubinstein – Two Doorways, Sabbioneta – 1973
The absence of people and the lack of furnishings could make this space feel calm and open or cold and isolated.
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S02 E42 – Sheila Mae Pinkel – X-Ray: Two Trout – 1978/82
To create this image, Pinkel used a mammography machine normally used to detect breast cancer.
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S02 E41 – Charles Moore – Birmingham, Alabama (Police Dogs Attack Demonstrators) – shot 1963, printed 1997
Photographs such as this one are credited with inspiring the passage of the Civil Rights Act of 1964.
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S02 E40 – Ralph Eugene Meatyard – Romance of Ambrose Bierce #3 – 1964
This may be Ralph Eugene Meatyard’s most famous photograph.
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S02 E39 – Charles Marville – Cathedral – 1875
This type of photograph suits architectural photography well, as the grainy texture of the paper augments the texture of stone buildings like Chartres.
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S02 E38 – Wende Lee – Engulfed in Liquid Light – 1990
This photograph was made with a process called Cibachrome: a type of photographic printing that is rarely used today because the materials are hard to find.
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S02 E37 – William Henry Jackson – Marshall Pass, West Side – about 1881
This photographer used a process that required him to haul around dangerous chemicals and heavy cameras.
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S02 E36 – Philippe Halsman – Marilyn Jumping – 1959
This photographer believed that photographs of people jumping revealed their true personality.
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S02 E35 – Roger Fenton – Colonel Wood, Major Stuart Wortley, Col. the Honorable F. Colborne – 1856
This photographer was known for being the first to document a war, yet he did not show the action of battle.
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S02 E34 – Eliot Elisofon – Black Woman with Child – 1960
The photographer did not document details of the culture this photograph captures, so it operates as a generalization about life in Sub-Saharan Africa.
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S02 E33 – John M. Divola – Zuma Number 21 – 1977
The photographer described his process of creating photography like this as one of “visceral involvement.”
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S02 E32 – Alvin Langdon Coburn – The Great Temple, Grand Canyon – 1911
The photographer’s eye for abstract patterns can be seen in this photograph of one of America’s greatest natural wonders.
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S02 E31 – Margaret Bourke-White – Portrait of Five Men – 1940
This portrait may seem somewhat ordinary, but taking photographs of regular people was an important part of the photographer’s work.
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S02 E30 – Ansel Adams – Forest Detail, Winter, Yosemite National Park, California – 1949
Instead of a towering peak or a picturesque canyon, this detailed image may obfuscate your sense of perspective.
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S02 E29 – Berenice Abbott – Warehouse, Water and Dock Streets – 1936
This image is part of a series for the Federal Art Project of the Works Progress Administration, a project that aimed to create a documentary archive of life in the United States during the 1930s.
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S02 E28 – Pieter Aertsen – Kitchen Still Life with a Scene of the Supper at Emmaus Beyond – 1551-1553
The smells of warm bread, a crackling fire, cooked meat, and fresh fruits & vegetables almost waft through the second floor of the DOMA thanks to this still life.
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S02 E27 – Giovanni Angelo Montorsoli – Christ the Redeemer Depicted as Zeus – 1550
During the Renaissance, artists often saw parallels between stories from Christian history and those of the ancient Greek and Roman past.
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S02 E26 – Domenico Puligo – Portrait of a Lady – about 1525
Portraits like this one showcased young women to suitors and promised a large dowry.
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S02 E25 – Unidentified French Artist – possible Head of Christ – about 1225-1235
There is nothing more compelling than a good mystery, and this limestone head offers just that.
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About The Owsley Moment
Created by Ball State School of Art professor Dr. Lara Kuykendall, The Owsley Moment is a brief, informative program that describes one work on display at the David Owsley Museum of Art every week. Each Moment takes the listener on a small adventure, often telling the history of the piece, recounting the life of the artist, or vividly detailing the characteristics of the work.
The Owsley Moments are written by Ball State art history students. They are produced in collaboration with the David Owsley Museum of Art and Indiana Public Radio and are voiced by Ball State students.